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Your Custom Text Here
Hello! I’m an artist/illustrator/graphic designer based in Montreal. My illustrations or collages have been used for book covers, magazines and album covers.
I have also won two awards for my graphic design. One is for best exhibition catalogue at the UAAC/AAUC 2023 Book Prize for the design of Scott, Brandtner, Eveleigh, Webber : revoir l’abstraction montréalaise des années 1940 by Esther Trépanier. The other, for the co-creation (with Céline Huyghebaert et Camille Lamy) of the artist collective book nous nous emmêlerons. We won second place in the limited edition category at the 2022 Alcuin Awards.
Not commissioned work, but to be noted, I was nominated twice at the Broken Pencil Zine Award (for my zines Cut Women and just another self-portrait) and won an award for She Shapes at the Gala de l’académie de la vie littéraire (Festival dans ta tête).
Hello! I’m an artist/illustrator/graphic designer based in Montreal. My illustrations or collages have been used for book covers, magazines and album covers.
I have also won two awards for my graphic design. One is for best exhibition catalogue at the UAAC/AAUC 2023 Book Prize for the design of Scott, Brandtner, Eveleigh, Webber : revoir l’abstraction montréalaise des années 1940 by Esther Trépanier. The other, for the co-creation (with Céline Huyghebaert et Camille Lamy) of the artist collective book nous nous emmêlerons. We won second place in the limited edition category at the 2022 Alcuin Awards.
Not commissioned work, but to be noted, I was nominated twice at the Broken Pencil Zine Award (for my zines Cut Women and just another self-portrait) and won an award for She Shapes at the Gala de l’académie de la vie littéraire (Festival dans ta tête).
Ceci n'est pas un jardin
Cover art for the book "Ceci n'est pas un jardin" by Camille Garant-Aubry, published by La Mèche. Collage, 2024.
L'été au Parc Belmont
Cover art for "L'été au Parc Belmont" by Thara Charland, published by La Mèche. Collage, 2022.
Burgundy
Cover art for "Burgundy" by Mélanie Michaud, published by La Mèche. Hand cut collage, 2020.
Burgundy
Cover art for "Burgundy", published by JC Lattès. 2022
Amaro
Cover art for the album "Amaro" by Jeremy Young. Hand cut collage, 2021
Montjoie
Cover art for "Montjoie" by Michel Ouellette. Published by Prise de parole. Hand cut collage, 2020.
Weird Era #1
Five of my collages printed in the first number of Weird Era (2021). In the picture above : collage on the left is "Extinction", collage on the right is "Flying Wind". https://weirdera.ca/issue-1
Lettres québécoises : Dystopies
Cover art for the magazine Lettres québécoises on the subject of dystopia. Illustrations for the inside pages also. Hand cut collage, 2020.
Le grand spectacle
Album art for the musician Julie Blanche. Graphic design and digital collage, 2020. (b&w photograph by Julie Blanche)
Éclipse
Graphic design and digital collage for the single "Éclipse" by Julie Blanche. 2020 (b&w photograph by Julie Blanche)
Tout passera
Graphic design and digital collage for the single "Tout passera" by Julie Blanche. 2020 (b&w photograph by Julie Blanche)
La valeur de l'inconnu
Cover art for "La valeur de l'inconnu" by Cassie Bérard, published by La Mèche. Hand cut collage, 2019
It Billows Up
A zine illustration used for the album cover of "It Billows Up" by Sontag Shogun, 2019.
Lien social et Politiques
Cover art, twice a year, for the magazine "Lien social et Politiques". https://www.erudit.org/fr/revues/lsp/
nous nous emmêlerons
Graphic design work. Limited edition artist collective printed on a risograph press. More pics here https://made-by-china.net/blog/2023/4/23/2022-alcuin-awards
It won second place at the 2022 Alcuin Awards in the limited edition category.
Thank you Céline and Camille for asking me to participate in this exciting project.
Scott, Brandtner, Eveleigh, Webber : revoir l’abstraction montréalaise des années 1940
Graphic design work. Written by Esther Trépanier, this catalogue won an award for best exhibition catalogue at the UAAC/AAUC 2023 Book Prize. Thank you to le Musée d’art de Joliette and les Presses de l’Université de Montréal for approaching me on this project.